Watemelon 发表于 2025-3-25 05:34:08

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闪光你我 发表于 2025-3-25 10:13:23

The Testimony of Trees,er situates Didi-Huberman’s apparently futile attempt to interrogate the trees surrounding Auschwitz-Birkenau within a long lineage of latecomers to the scene of the crime, including Lanzmann, all of whom have called upon the forest to act as a witness—not merely as a survivor of the event, but also

虚假 发表于 2025-3-25 14:44:45

Henrik GustafssonMarks the first theoretically informed book-length study of the visual exploration of sites.Maps a new interdisciplinary field for the interpretation of landscape by bringing it into close dialogue.En

手铐 发表于 2025-3-25 18:16:36

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北极人 发表于 2025-3-25 23:27:20

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有机体 发表于 2025-3-26 03:34:09

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妨碍 发表于 2025-3-26 04:26:01

grapher Sophie Ristelhueber, which is considered together with two experimental films made by Jananne Al-Ani (. and .) and Sarah Vanagt (. and .) respectively. Investigating the transfigurative effects of airborne reconnaissance and its capacity to turn tracts of land into a set of clues to be decip

BIAS 发表于 2025-3-26 10:27:13

o the Nazi concentration camp system in Alain Resnais’s . and Jean-Luc Godard’s .. Tracking the afterlife of van Gogh’s auspicious birds as a retroactive trace of an event that their inscription anteceded by half a century, the chapter shows how the skein of crows operate according to the convoluted

爆米花 发表于 2025-3-26 15:06:21

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COLIC 发表于 2025-3-26 18:50:06

Smart Cities als Herausforderung,er situates Didi-Huberman’s apparently futile attempt to interrogate the trees surrounding Auschwitz-Birkenau within a long lineage of latecomers to the scene of the crime, including Lanzmann, all of whom have called upon the forest to act as a witness—not merely as a survivor of the event, but also
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查看完整版本: Titlebook: Crime Scenery in Postwar Film and Photography; Henrik Gustafsson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 landscape.