绅士
发表于 2025-3-26 23:34:43
https://doi.org/10.1007/978-3-642-98944-5 producer is the person who has overall creative control across the duration of the recording project and is responsible for the musical, technical and aesthetic decisions that fulfil the needs of the artist and (if necessary) the requirements of the record company or music publisher. Each recording
茁壮成长
发表于 2025-3-27 04:06:15
https://doi.org/10.1007/978-3-642-98944-5rts and into separate systems. In reality though, these creative systems operate simultaneously at different scales (from the individual, to the group, to the collective, etc.) and on different levels depending on the creative task. This chapter concludes the book by illustrating the concurrent inte
悲痛
发表于 2025-3-27 07:38:37
Creativityroaches to studying groups, group behaviour and group processes. The chapter concludes by identifying a more encompassing approach to study creativity and, specifically, the creative process of commercial record production.
原告
发表于 2025-3-27 10:44:25
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Airtight
发表于 2025-3-27 17:09:38
The Creative System of Engineeringles of the creative practices of engineering in commercial record production including Ken Scott’s kick drum mic’ing method and Marta Salogni’s process of mixing Björk’s ninth studio album Utopia (2017).
针叶类的树
发表于 2025-3-27 19:20:25
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Ceramic
发表于 2025-3-28 00:46:51
Potential und Möglichkeiten von Wasserstoffroaches to studying groups, group behaviour and group processes. The chapter concludes by identifying a more encompassing approach to study creativity and, specifically, the creative process of commercial record production.
FLIP
发表于 2025-3-28 03:29:37
https://doi.org/10.1007/978-3-642-98944-5erformance by introducing the idea that studio performances are the result of a creative system in action. Beginning first with the performing musician’s domain and field, this chapter then demonstrates the creative system in action drawing on examples from David Bowie and Tupac Shakur.
Malfunction
发表于 2025-3-28 06:15:36
https://doi.org/10.1007/978-3-642-98944-5les of the creative practices of engineering in commercial record production including Ken Scott’s kick drum mic’ing method and Marta Salogni’s process of mixing Björk’s ninth studio album Utopia (2017).
companion
发表于 2025-3-28 12:19:40
Introduction,Over the course of four weeks, The Beatles recorded a further 25 takes each with a different approach, or an alternate arrangement, sometimes at different tempos or even in different musical keys. In doing so, John Lennon and George Martin were appraising each of the track’s alternative takes, selec