Sad570 发表于 2025-3-25 03:26:57
https://doi.org/10.1007/978-3-030-01650-0Popular music; Collaboration; Systems Approach; Creative system; Music production; Songwritingcarbohydrate 发表于 2025-3-25 09:08:44
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl生锈 发表于 2025-3-25 11:40:21
Carl-Jochen Winter,Joachim NitschOver the course of four weeks, The Beatles recorded a further 25 takes each with a different approach, or an alternate arrangement, sometimes at different tempos or even in different musical keys. In doing so, John Lennon and George Martin were appraising each of the track’s alternative takes, selec产生 发表于 2025-3-25 19:47:48
http://reply.papertrans.cn/24/2397/239601/239601_24.pngconstellation 发表于 2025-3-25 22:32:15
http://reply.papertrans.cn/24/2397/239601/239601_25.png按时间顺序 发表于 2025-3-26 02:35:42
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Thermische und Mechanische Stromerzeugunglizes and subsequently alters the domain of commercial popular music and: ‘includes all those who can affect the structure of the domain’ Csikszentmihalyi (in: Sternberg (ed) The Nature of Creativity: Contemporary Psychological Perspectives, Cambridge University Press, New York, 1988). This chapter共栖 发表于 2025-3-26 08:28:00
,Die religiöse Grundlage im Schwesternberuf, musical, cultural and economic conventions have formed around the song and these conventions have established structures and constraints that the songwriter must negotiate in order to write a new song. In interviews, songwriters often describe their creative process as unfathomable, magical or spir礼节 发表于 2025-3-26 14:30:11
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https://doi.org/10.1007/978-3-642-98944-5status. These views are problematically linked to inspirationalist and romantic conceptions of creativity and, although they have now been dismissed as myths (Boden .), these romantic distinctions between art and craft and consequently what is considered to be creative continue to pervade the record