COMMA
发表于 2025-3-23 13:25:36
Margarete Klein M.A.,Alexander Straßner M.A.princely city and to establish themselves as rulers of European importance. This meant modernisation, particularly in the cultural field, and modernisation meant Italianisation. For this they needed to bring Italian architects, artists, craftsmen, engineers and musicians across the Alps and north to Dresden.
聚集
发表于 2025-3-23 15:44:05
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Introduction
发表于 2025-3-23 19:26:53
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Vertical
发表于 2025-3-23 22:50:48
Book 2002xteenth to the early eighteenth century. Helen Watanabe-O‘Kelly shows how the art patronage of the Electors fits into the intellectual climate of the age and investigates its political and religious context. Lutheran church music and architecture, the influence of Italy, the cabinet of curiosities a
ARBOR
发表于 2025-3-24 02:20:17
https://doi.org/10.1057/9780230514492baroque; cultural history; eighteenth century; empire; history; Martin Luther; Poland; Protest; seventeenth
esoteric
发表于 2025-3-24 07:41:35
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颠簸下上
发表于 2025-3-24 11:00:35
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有恶臭
发表于 2025-3-24 15:43:06
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hermitage
发表于 2025-3-24 21:58:14
Margarete Klein M.A.,Alexander Straßner M.A.at monument in the burial chapel at Freiberg. We also saw how Moritz and August assiduously patronised German Lutheran art-forms, in accordance with Luther’s own linking of German values and the German language with the reform of religion. But the same two princes also wished to turn Dresden into a
Fretful
发表于 2025-3-25 00:35:52
Alexander Straßner M.A.,Margarete Klein M.A.. The . of Emperor Ferdinand I is thought to have had its inception in 1553, the collection of Archduke Ferdinand of Tyrol in Schloss Ambras goes back to the 1560s and the . of Duke Albrecht V of Bavaria was installed in Munich in a purpose-built building between 1564 and 1567.. The Dresden court to