开脱
发表于 2025-3-21 18:03:02
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defeatist
发表于 2025-3-21 23:32:45
978-3-030-08347-2The Editor(s) (if applicable) and The Author(s) 2018
厨房里面
发表于 2025-3-22 00:56:55
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visual-cortex
发表于 2025-3-22 05:05:43
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Gorilla
发表于 2025-3-22 09:37:35
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Surgeon
发表于 2025-3-22 15:08:41
https://doi.org/10.1007/BFb0100180 contemporary Mexican and Brazilian cinemas. By focusing on . (Jameson), the combined analysis of . (2012) and . (2015) sheds new light on a broad contemporary transformation in Mexican and Brazilian filmmaking towards a focus on the middle class. This study complements previous analyses that emphas
Surgeon
发表于 2025-3-22 19:02:42
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空气传播
发表于 2025-3-22 22:13:52
uniqueness in finite dimensions,hat caters exclusively to the economic elites, following the logic of economic optimization and foregoing any attempt at a cinematic project rooted in national culture. The author analyzes Alonso Ruizpalacios’ . (2014) as an interesting case study illustrating the difficulties of trying to resist ne
不理会
发表于 2025-3-23 02:13:12
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locus-ceruleus
发表于 2025-3-23 05:52:16
I. Fiebrig,S. E. Harding,S. S. Davis of film production. Accused of being both reactionary and a piece of left-wing propaganda, the film motivated an unprecedented public debate about the experience of neoliberalism in Chile and its relation to film production. This chapter explores this national reception, considering the film’s cond