Modify
发表于 2025-3-25 05:22:32
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容易生皱纹
发表于 2025-3-25 10:22:05
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羽饰
发表于 2025-3-25 11:53:28
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赔偿
发表于 2025-3-25 18:55:31
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heirloom
发表于 2025-3-25 22:11:03
Larraín’s ,: A Tale of Neoliberalism an ambiguous and complex relationship with neoliberalism, which highlights the contradictory nature of the Chilean field of film production as it has been increasingly professionalized and internationalized under the logics of late capitalism.
我没有命令
发表于 2025-3-26 03:40:40
Social Cinema in Neoliberal Times: The Macabre Baroque in the Films of Pablo Larraín landscapes, and by imitating genres rooted in the commercial culture industry. It is with respect to Larraín’s films’ self-positioning as both social critique and aesthetic rupture that we may refer to them as comprising a macabre baroque cinema.
极小量
发表于 2025-3-26 06:10:43
Maximiliano Schonfeld’s Films of the Volga Germans in Entre Ríos: About the Neoliberal Devil in Argees. With reference to the shorts . (2006), . (2006) and the feature film . (2012), the author argues that Schonfeld’s filmmaking is an act of resistance to the loss of community-based living and working structures in rural environments.
发生
发表于 2025-3-26 11:13:26
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auxiliary
发表于 2025-3-26 12:54:21
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一致性
发表于 2025-3-26 20:19:55
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