声音会爆炸
发表于 2025-3-21 16:13:56
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乏味
发表于 2025-3-21 20:30:57
Panic Watching: On the Function of Consuming Fictional Pandemics During a Real Pandemicting contemporaneous hopes, fears, and aspirations, Tom Gunning reminds us that it is not that social trauma triggers the production of certain types of films, but that we come to better understand trauma using films, whether contemporaneous or not. This insight was witnessed as COVID-19 rapidly spr
系列
发表于 2025-3-22 03:55:50
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煤渣
发表于 2025-3-22 05:24:03
Representations of Environmental Apocalyptic Horror in , (2020)the continuation of life and societies in a rapidly changing ‘infected’ world. Epic disaster film not only brings visions of the horrors of death, but it grounds us in the reality that life is easily taken and serves to address anxieties surrounding adaptation or deviations to the status-quo within
forebear
发表于 2025-3-22 09:49:41
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MIRTH
发表于 2025-3-22 14:48:06
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MIRTH
发表于 2025-3-22 18:25:16
Haunted Churches, Wicked Schools, Addressing Postcolonial History Through Philippine Horrornd production is insistence that what is supernatural, paranormal, and ‘otherworldly’ is, nonetheless, grounded in the lived experiences of the Filipino people. This emerges from observing the necessity of daily rituals to ward off bad spirits, being wary of one’s surroundings in case of demented sp
ULCER
发表于 2025-3-23 00:55:57
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BRUNT
发表于 2025-3-23 01:58:41
Shifting Subjectivities: Adopting the Perspective of the Other in Mother and Get Outising this movement, she argues the constitutive films and television series are ‘allegories for contemporary anger and despair’ and that ‘their interest lies in the emotional fault lines between the characters, not in some external menace’ (Benson-Allott, . 72:71–76, 2018, p. 71). Several of these
transdermal
发表于 2025-3-23 06:34:16
Pedophobiac Audiences: Mapping the Presence of the Child in Horror Cinemartoire of roles as the juvenile victim, orphan, or martyr, but towards the mid-twentieth century, they have ubiquitously become capable of metamorphosing into the incurable delinquent, villain, and murderer. The horror genre allows the modification of real but unconscious fears into something fathom