ACE313
发表于 2025-3-21 19:12:40
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ABOUT
发表于 2025-3-21 22:56:46
Book 2018Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history.
critic
发表于 2025-3-22 02:37:06
Introduction,es and aesthetics of the Gothic as a tool, not simply to explore past horrors or exotic monsters that lie beyond our borders, but with which to playfully uncover our own unrelentingly abject relationship with the very soil that we walk upon.
Cardioplegia
发表于 2025-3-22 07:36:31
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防御
发表于 2025-3-22 12:39:27
Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s gery, and details his specific, subversive engagement with them. It contextualises the analysis by drawing on Kristeva’s writing on the abject (1987), Botting’s writing on the Gothic (1996) and Lingis’ writing on eroticism, and the impact of sex and death on the perception of time (2000).
进取心
发表于 2025-3-22 14:30:33
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进取心
发表于 2025-3-22 20:30:14
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BROOK
发表于 2025-3-22 23:21:18
Writing the Ghost—An Interview with Playwright Michael PunterIrving. At CAPA, his courses include .. In this interview with Benjamin Poore, Michael discusses his early influences, the relationship between theatre and ghosts, theatre for and about young people, and the challenges and paradoxes of staging the supernatural and the Gothic.
行为
发表于 2025-3-23 01:32:46
2634-6214 e interdisciplinary appeal by covering theatre, adaptation, This ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and l
STERN
发表于 2025-3-23 06:05:46
Model Theory and Universal Algebra,this Ripper tourism. Its central concern is with the Ripper tours, which it considers as street theatre. The essay looks at the narrative and performance modes guides draw on to negotiate their highly contentious subject matter, and considers the tours’ complex relation to the Gothic.