architect
发表于 2025-3-21 17:25:51
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团结
发表于 2025-3-21 20:23:00
Blessed Bodies, Extraordinary Exhibitions and Missed Opportunities: Forty Years of Chinese-German Cuy focuses on some specific genre; studies about foreign cultural politics or cultural diplomacy are extremely limited, especially when it comes to the most recent era. What follows here is a conversation with Chen Ping, Counsellor for Culture at the Chinese embassy in Vienna, who has worked for many
大厅
发表于 2025-3-22 01:45:53
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Optic-Disk
发表于 2025-3-22 05:45:59
Performing Disaster and Trauma: A Cross-Cultural Dialogue Between Post-socialist China and Munich inrse. Using Ai Weiwei’s . (2009)—an installation that commemorates the Sichuan earthquake in 2008—as an example, the discussion focuses on the artwork’s power to communicate the fear and anger of the repressed to the world outside mainland China. The exhibition site, Haus der Kunst in Munich, Germany
Androgen
发表于 2025-3-22 09:51:37
The Invisible Person: Duan Yingmei as Centerpiece of German-Chinese Art who have shaped the art world significantly over the last few decades, while Ai Weiwei was idolized as emblem of Chinese contemporary art in Germany until recently. People seem to believe that only he and his works are political and therefore carry a meaning. However, as provocative and in-your-fac
撤退
发表于 2025-3-22 16:55:27
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撤退
发表于 2025-3-22 19:01:54
The Distribution and Translation of German Films in China (1949–1966)papers, memoirs, and extant films, the author examines the importation and distribution mechanism of German films in China during these years. A total of 62 films from the German Democratic Republic (hereinafter “the GDR”), the Federal Republic of Germany (hereinafter “the FRG”), Austria, and Switze
渗入
发表于 2025-3-23 00:23:34
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Muscularis
发表于 2025-3-23 03:06:43
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forthy
发表于 2025-3-23 05:53:03
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