过剩
发表于 2025-3-28 16:09:45
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Accrue
发表于 2025-3-28 22:40:30
Sated, Starved or Satisfied: The Languages of Theatre in Britain Todayrticularly with the miners, were familiar from the 1970s, extraordinary sagas with a long class-history. But a side-effect was to demonstrate the mobility of new lightweight TV cameras, needing much smaller crews. When the print-unions were broken in the Wapping dispute of 1986, the way was open for
circumvent
发表于 2025-3-29 00:14:04
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HALO
发表于 2025-3-29 05:09:42
Diverse Assembly: Some Trends in Recent Performance an engaged artist (writing text and directing with Forced Entertainment Theatre Co-Operative since its foundation in 1984), and as a regular commentator on the field, I want to give a sense of what for me are some of the key concerns and common notions addressed by artists in recent years.
Bravado
发表于 2025-3-29 10:13:41
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jumble
发表于 2025-3-29 13:37:46
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垄断
发表于 2025-3-29 19:03:17
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扩大
发表于 2025-3-29 23:21:30
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轮流
发表于 2025-3-30 03:07:58
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积云
发表于 2025-3-30 06:56:04
https://doi.org/10.1007/978-3-663-07495-3recognition. Very occasionally a company like the Royal Exchange in Manchester or the Glasgow Citizens’ would forge a distinctive style which set it apart from the amorphous mass of ‘provincial’ theatres.