臆断
发表于 2025-3-23 13:23:40
The Welsh National Theatre: The Avant-Garde in the Diasporausic: the artists grouped around the Cunningham Company, Cage, Rauschenberg, Johns and Cunningham himself. A cluster of movement- and text-based groups currently work in the space marked out by Moving Being, though perhaps not directly under their influence.
upstart
发表于 2025-3-23 17:39:44
The Playwriting Profession: Setting Out and the Journey of British playwrights, the opportunities available and a few selected case histories will suggest how some playwrights became playwrights and how they survive in a profession of severely limited opportunities.
孤僻
发表于 2025-3-23 19:20:52
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Constitution
发表于 2025-3-24 01:11:30
Recent Tendencies in Design’s as if the general public has at last acknowledged what the industry itself always knew to be true: the important theatre of any epoch depends upon important designers, and Britain is lucky to have more than a few whose influence can be felt both on home ground and abroad.
hardheaded
发表于 2025-3-24 05:36:15
LIFTing the Theatre: The London International Festival of Theatreence, critical antagonism and public prejudice to establish a biennial meeting of unlike minds. In doing so, it has helped to move the markers of British theatre away from its traditional textual patriotism towards an acceptance of different ways of doing and seeing.
avulsion
发表于 2025-3-24 09:47:47
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赏心悦目
发表于 2025-3-24 12:05:30
devised to express the tensions and pressures of our time. For the paperback edition a new preface has been written, including several updating pieces from individual contributors.978-0-312-17224-4978-1-349-25091-2
喊叫
发表于 2025-3-24 17:51:58
,Einführung und Problemstellung,’s as if the general public has at last acknowledged what the industry itself always knew to be true: the important theatre of any epoch depends upon important designers, and Britain is lucky to have more than a few whose influence can be felt both on home ground and abroad.
歌曲
发表于 2025-3-24 19:32:50
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单色
发表于 2025-3-25 02:23:34
Wilhelm Patterson,Reinhard Döppence, critical antagonism and public prejudice to establish a biennial meeting of unlike minds. In doing so, it has helped to move the markers of British theatre away from its traditional textual patriotism towards an acceptance of different ways of doing and seeing.