observatory
发表于 2025-3-25 04:05:33
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不要不诚实
发表于 2025-3-25 08:52:44
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GLEAN
发表于 2025-3-25 15:40:08
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SOB
发表于 2025-3-25 18:35:50
Constructing an Art-Life: Tourism and Street Art in Sarawak local identity is palpable in art content. Nevertheless, and no differently, the personal voice of the artist does rise above expressions that include tagging, communicative graffiti, doodles, pop art, historio-cultural archiving, tracting, and “the self-portrait”, among others. The tourist – the l
xanthelasma
发表于 2025-3-25 22:52:17
Revisiting ‘Singapore’ on Tour at the Venice Biennale reconstruction of meanings through the affordances of space and identity in contemporary Asian expressions of art. It contextualizes identity discourses and explores the connections between the re-imagination of a past, the remaking of memory and the deconstruction of national discourses. The resea
虚假
发表于 2025-3-26 03:30:19
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vector
发表于 2025-3-26 08:04:41
Motorbike Helmet Art as a Contemporary Design Form for Crafting Tourism Souvenirs of Thailandons in Thailand. According to the buyers, the uniqueness of the designs fosters the use-value and the exchange-value of the helmets, whereas the creativity of the graphics enhances their sign-value. Additionally, the results suggest that helmet art can be used as a promotional tool for branding tour
legislate
发表于 2025-3-26 11:25:31
Merging Batik and Stained Glass: Creating Contemporary Asian Art from Traditional Craft Objectst elevates the traditional craft of batik above its increasing tourist-dependency whilst also reducing the perceived ‘western-centric’ nature of traditional stained glass, it points to new potential for craft techniques in contemporary Asia. It suggests that, rather than being the herald of ‘souveni
云状
发表于 2025-3-26 14:24:39
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欢乐东方
发表于 2025-3-26 19:26:54
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