反抗日本 发表于 2025-3-21 19:49:30

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合唱团 发表于 2025-3-21 23:03:45

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尖酸一点 发表于 2025-3-22 04:23:41

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Phagocytes 发表于 2025-3-22 07:27:10

Jeanine Meerapfel, Cosmopolitan Auteur of the Immigrant Condition director ever. While scholars have tended to examine her films individually or grouped by nation of production, Matt Losada’s chapter considers instead the transnational dimension of her work as what Mette Hjort calls ., which “emerges as the … effect of a lived experience of the limits of national

MORT 发表于 2025-3-22 09:57:49

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发微光 发表于 2025-3-22 15:56:56

Sisterhood on the Threshold in Julia Solomonoff’s , (2005) Victor Turner as representing “the midpoint of transition in a status-sequence between two positions” (1974, 237). These two positions refer to social structures that are suspended during the liminality phase. Focusing on the protagonists’ spatial isolation in a suburban Texas neighbourhood and the

发微光 发表于 2025-3-22 20:57:20

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他很灵活 发表于 2025-3-23 00:06:07

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padding 发表于 2025-3-23 05:18:42

They Are All Around Us: Pain, Memory and Multisensory Images in Paula Markovitch’s , (2011)hiding from the military in a precarious beach house with her mother during the last dictatorship in Argentina. Following Louis Althusser and Laura Marks’s theories, Severiche examines an . and an . point made by Markovitch in the film. The former refers to the act of witnessing the state’s painful

contrast-medium 发表于 2025-3-23 07:27:07

The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniaon sexism and racism. The German filmmaker proposes a new visual form of narrative in line with bell hook’s concept of the “oppositional gaze.” Wohlatz reinterprets the gaze, negotiating her own outsider position in Argentina vis-à-vis the film’s protagonist, Xiaobin, a Chinese newcomer trying to ad
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查看完整版本: Titlebook: Contemporary Argentine Women Filmmakers; Mirna Vohnsen,Daniel Mourenza Book 2023 The Editor(s) (if applicable) and The Author(s), under ex