PET-scan 发表于 2025-3-25 06:42:27
http://reply.papertrans.cn/24/2364/236357/236357_21.png许可 发表于 2025-3-25 10:10:51
http://reply.papertrans.cn/24/2364/236357/236357_22.pngAVOID 发表于 2025-3-25 13:23:40
http://reply.papertrans.cn/24/2364/236357/236357_23.pngindenture 发表于 2025-3-25 18:46:59
Fritz Micheel,Hans Georg Bussmannmakes visible previously unseen stories of marginal female characters in a patriarchal society. Regarding visibility, Michel Foucault holds that to “make visible the unseen can also mean a change of level, addressing oneself to a layer of material which had hitherto had no pertinence for history andarchenemy 发表于 2025-3-25 21:47:30
http://reply.papertrans.cn/24/2364/236357/236357_25.png四牛在弯曲 发表于 2025-3-26 00:27:39
http://reply.papertrans.cn/24/2364/236357/236357_26.pngMARS 发表于 2025-3-26 05:11:07
https://doi.org/10.1007/978-3-663-04988-3ents two young women from rural Northwestern Argentina at the intersections of gender, adolescence, working-class socio-economic status, rural otherness and cognitive ability. The film shows how these identity markers make the protagonists victims of a sex trafficking scheme that takes them to Bueno上腭 发表于 2025-3-26 12:28:35
http://reply.papertrans.cn/24/2364/236357/236357_28.pngAtaxia 发表于 2025-3-26 13:14:32
Die praktische Anwendung des Verfahrens,on sexism and racism. The German filmmaker proposes a new visual form of narrative in line with bell hook’s concept of the “oppositional gaze.” Wohlatz reinterprets the gaze, negotiating her own outsider position in Argentina vis-à-vis the film’s protagonist, Xiaobin, a Chinese newcomer trying to adhedonic 发表于 2025-3-26 17:56:33
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