指责
发表于 2025-3-21 18:16:59
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BANAL
发表于 2025-3-21 21:24:08
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Foregery
发表于 2025-3-22 04:27:01
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MIRE
发表于 2025-3-22 06:34:26
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ASTER
发表于 2025-3-22 10:28:08
https://doi.org/10.1007/978-3-663-00177-5nt past with the present. While the other chapters will examine truly contemporary crime writing, that is, crime writing of the 1990s, these first two chapters will make a modest attempt to chart the passage from the great renaissance of crime writing of the 1970s and 1980s to where we are now. The
直觉好
发表于 2025-3-22 16:12:10
https://doi.org/10.1007/978-3-663-00212-3, Joe Gores (1931), Robert B. Parker (1932), Donald Westlake (1933), Stuart Kaminsky (1934), Joseph Wambaugh (1937), and Lawrence Block (1938), continued to produce good and at times award-winning work throughout the 1990s. In this chapter we will pay particular attention to the work of Parker, Kami
直觉好
发表于 2025-3-22 19:38:03
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变形
发表于 2025-3-22 23:12:55
Betriebliche Kreislaufwirtschaft,ce the early 1980s — witness the fact that excellent PI writers keep on emerging — crime fiction in which the female protagonist works within, rather than outside, the perimeters of institutional law enforcement has for female crime writers become a viable alternative to the PI novel. That instituti
DENT
发表于 2025-3-23 04:38:14
https://doi.org/10.1007/978-3-663-01195-8cBain’s immensely popular 87th Precinct series (1956 to the present day) to James Lee Burke’s, James Ellroy’s, and Michael Connelly’s highly acclaimed novels of the 1980s and 1990s. Of these last three, it is undoubtedly Ellroy who has taken this particular genre furthest in the direction of social
condone
发表于 2025-3-23 06:57:57
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