counterfeit
发表于 2025-3-21 18:16:34
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CHAR
发表于 2025-3-21 20:37:13
The Harmonic Musical Surface and Two Novel Chord Representation Schemes is crucial for building effective computational models for music analysis. This chapter, initially, addresses musicological, perceptual and computational aspects of the harmonic musical surface. Then, two novel general chord representations are presented: the first, the General Chord Type (GCT) rep
放肆的你
发表于 2025-3-22 03:23:58
Topological Structures in Computer-Aided Music Analysissents a set of chords. The dimension of the elements of the complex and their neighbourhood relationships highlight the size of the chords and their intersections. Following a well-established tradition in set-theoretical and neo-Riemannian music analysis, we present the family of T/I complexes whic
催眠药
发表于 2025-3-22 07:24:41
Contextual Set-Class Analysisa systematic approach to segmentation, description and representation in the analysis of the musical surface. The introduction of a set-class description domain provides a systematic, mid-level, and standard analytical lexicon, which allows for the description of any notated music based on a fixed t
漂泊
发表于 2025-3-22 10:37:16
Computational Analysis of Musical Form contrast, and variation: repetition brings unity, and variation brings interest. Learning how to hear, to analyse, to play, or even to write music in various forms is part of music education. In this chapter, we briefly review some theories of musical form, and discuss the challenges of computation
URN
发表于 2025-3-22 16:20:41
Chord- and Note-Based Approaches to Voice Separationecture of the learning model. Most existing approaches make decisions in note-to-note steps (N2N) and use heuristics to resolve conflicts arising in the process. We present here a new approach of processing in chord-to-chord steps (C2C), where a solution for a complete chord is calculated. The C2C a
URN
发表于 2025-3-22 20:18:27
Analysing Symbolic Music with Probabilistic Grammarsm of grammars) over a corpus of music. These can produce idiomatic sentences from a probabilistic model of the musical language and thus offer explanations of the musical structures they model. This chapter surveys historical and current work in musical analysis using grammars, based on computationa
blister
发表于 2025-3-23 00:02:57
Interactive Melodic Analysisfied as a harmonic tone when it belongs to the underlying chord, and as a non-harmonic tone otherwise, with a number of categories in this latter case. Automatic systems for fully solving this task without errors are still far from being available, so it must be assumed that, in a practical scenario
不满分子
发表于 2025-3-23 02:33:48
Implementing Methods for Analysing Music Based on Lerdahl and Jackendoff’s ,ry to be one of the most relevant music theories with regard to formalization because it captures aspects of musical phenomena based on the Gestalts perceived in music and presents these aspects with relatively rigid rules. However, the theory has several problems in terms of computer implementation
诱骗
发表于 2025-3-23 08:20:38
An Algebraic Approach to Time-Span Reductionize a target application and generate music. We formalize the concept of time-span tree introduced by Lerdahl and Jackendoff (1983) in their Generative Theory of Tonal Music (GTTM) and define the distance between time-span trees, on the hypothesis that this might coincide with the psychological rese