reperfusion 发表于 2025-3-23 13:47:38
http://reply.papertrans.cn/24/2307/230610/230610_11.pngIntervention 发表于 2025-3-23 14:02:49
Textbook 2022e concept of community as a form ofclass-based solidarity has been hollowed out by postmodernism’s questioning of grandnarratives and poststructuralism’s celebration of difference. Alongside the critique of a notionof community has been a critical re-signification of community, following the thinkinsyncope 发表于 2025-3-23 20:07:40
http://reply.papertrans.cn/24/2307/230610/230610_13.png掺假 发表于 2025-3-24 00:50:32
Enacting Community,ncept of community as being-in-common generates questions that guide the research, namely, how might the critical re-signification of community contribute to the critical analysis of community theatre and performance practice, and how is ‘community’ as being-in-common enacted in community theatre and performance practices?innovation 发表于 2025-3-24 05:55:52
http://reply.papertrans.cn/24/2307/230610/230610_15.png直觉好 发表于 2025-3-24 07:15:14
http://reply.papertrans.cn/24/2307/230610/230610_16.pngFLEET 发表于 2025-3-24 12:57:33
http://reply.papertrans.cn/24/2307/230610/230610_17.pngFOVEA 发表于 2025-3-24 17:48:04
Enacting Community,ow a newly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community (as a form of class-based solidarity) has, arguably, been hollowed out by postmodernism’s questioning of grand narratives and post-structuralism’s celebratgenuine 发表于 2025-3-24 21:55:24
Historical and Theoretical Perspectives on Community Performance,articulate and frame theoretical debates underpinning the emergence and, in some cases, disappearance of practices since the 1960s. I refer to four key moments in this process: Owen Kelly’s (.. London: Comedia, 1984) articulation of community in community arts as an active and dynamic process of culInterim 发表于 2025-3-25 01:10:53
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