dapper 发表于 2025-3-25 04:04:08
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,“Pagan Philosophy” and the “Pride of Speculation”: Spiritul Politics and the Metaphysical Imaginati Coleridge later uses the image again, to articulate the sense of spiritual dislocation he had felt since childhood: “An Impulse a tergo discoverable in early childhood—a darkness felt in the day-light—but the tendency instantly forced into a false direction, and soon scared by authority,” before “f初次登台 发表于 2025-3-25 12:42:51
,Transnatural Language: The “Library-Cormorant” in the “Vernal Wood”, the effect, which these books had produced—and burnt them” (CL I 347). Isolated from other children by his consumption of literature, and censored by his father—who, as the local priest, blended parental authority with that of the Church—the young Coleridge was at the same time a source of fascinatbisphosphonate 发表于 2025-3-25 18:00:55
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,“Christabel”, The poem is intensely personal in other ways. Despite exhaustive efforts, scholars have found its literary fabric less amenable to “source” studies than the other mystery poems.. Holmes writes that of all Coleridge’s major poems, “it is most difficult to see what inspired ‘Christabel,’ where it camjovial 发表于 2025-3-26 04:22:03
James E. Pickett,Jonathan R. Sargent Coleridge later uses the image again, to articulate the sense of spiritual dislocation he had felt since childhood: “An Impulse a tergo discoverable in early childhood—a darkness felt in the day-light—but the tendency instantly forced into a false direction, and soon scared by authority,” before “ffebrile 发表于 2025-3-26 11:35:42
Durability of Building Joint Sealants the effect, which these books had produced—and burnt them” (CL I 347). Isolated from other children by his consumption of literature, and censored by his father—who, as the local priest, blended parental authority with that of the Church—the young Coleridge was at the same time a source of fascinatPhenothiazines 发表于 2025-3-26 16:37:15
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Electronic Retailing and Service Quality,; House remarks that the “poem’s very richness at once tempts and defeats definiteness of interpretation” (House 93), which allows the poem’s vivid open-endedness to be part of its authority. Coleridge makes that elusiveness central to the poem through devices that purport to enclose it: as a story