Clumsy 发表于 2025-3-25 04:35:15
,Paul Robeson’s Othello and the Question of a Multicultural Shakespeare,are and he winces not.”. The mutually reinforcing iconic status of both Shakespeare and Robeson is memorably crystallized in Robeson’s testimony at the time of the 1930 London production: “‘Othello has taken away from me all kinds of fears, all sense of limitation, and all racial prejudice. OthelloBrain-Imaging 发表于 2025-3-25 07:39:48
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,Respeaking Othello in Fred Wilson’s ,e proclaims the connection by quoting from Othello’s long final speech: “Speak of me as I am. Nothing extenuate/Nor set down aught in malice” (5.2.351–52). But the speech culminates in the “bloody period” (365) of suicide. Othello’s implosion collapses the potential space between extenuation and malGEON 发表于 2025-3-25 17:12:25
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Epilogue: Making Changes,nd he was making changes in it. [.] Billy Strayhorn said, “What are you doing?” “I’m making changes,” he said. “Do you know this is Tchaikovsky?” Billy Strayhorn asked. [.] “I know. He is a great composer. But what I have to do for this band has to be this way. We’ll still get it, but it has to be t学术讨论会 发表于 2025-3-26 03:14:27
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Nomenklatur und Klassifizierung,tual mode. In both cases, the insertion of . is especially dramatic because it is strategically delayed until the novels’ midpoint. One reason for the delay is to build up the larger context and to allow time for this context to make its claims on us. For it is the external context that will counteract .’s automatic canonical appeal.insomnia 发表于 2025-3-26 09:54:10
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http://reply.papertrans.cn/23/2268/226712/226712_29.png头盔 发表于 2025-3-26 18:27:43
Contextualizing ,: Ishmael Reed, Caryl Phillips, and Djanet Sears,tual mode. In both cases, the insertion of . is especially dramatic because it is strategically delayed until the novels’ midpoint. One reason for the delay is to build up the larger context and to allow time for this context to make its claims on us. For it is the external context that will counteract .’s automatic canonical appeal.