誓约 发表于 2025-3-21 19:01:09

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黄瓜 发表于 2025-3-21 23:51:33

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Painstaking 发表于 2025-3-22 01:34:23

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弯曲道理 发表于 2025-3-22 06:09:49

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一起平行 发表于 2025-3-22 12:15:09

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FORGO 发表于 2025-3-22 13:30:38

Stars and Avatarsond (., 1950).Early in . recognition (‘You’re Norma Desmond!’) gives way to affect (‘You used to be big.’). This subjective expression of affect in terms of size is then overturned in a denial of technological determinacy that attempts to restore human agency (‘I . big; it’s the . that got small!’).

FORGO 发表于 2025-3-22 17:02:30

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Locale 发表于 2025-3-22 22:19:47

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Range-Of-Motion 发表于 2025-3-23 05:23:55

https://doi.org/10.1007/978-3-319-14322-4 driving the technical and stylistic development of new media’.. Other theorists agree that a productive conceptual horizon is to be found in film, although few explore the principles involved the way Jay David Bolter and Richard Grusin do in remediation.

Nerve-Block 发表于 2025-3-23 05:51:21

Harry W. Richardson,Peter Gordon,Qisheng Pan of media at the close of the twentieth century briefly made issues that had previously been only theoretical a concrete reality. Widespread awareness of mobile communications was ensured by adverts for cheaper calls, a flurry of company take-overs, wireless connectivity in public spaces and the viability of hand-held computing.
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查看完整版本: Titlebook: Cinematic Perspectives on Digital Culture; Consorting with the Norman Taylor Book 2012 Palgrave Macmillan, a division of Macmillan Publish