健壮
发表于 2025-3-25 04:57:47
Mohamed Ben Omar Ndiaye,Robert Dauda Korsu users of analogue technology were passive. In any case, such an approach to audiences is made obsolete by new technology, users of which are now encouraged to be contributors in an inclusive discourse: Facebook, Twitter and YouTube demand participation. Their conceptual embrace of digital affordanc
Cervical-Spine
发表于 2025-3-25 09:48:38
http://reply.papertrans.cn/23/2266/226550/226550_22.png
macrophage
发表于 2025-3-25 14:10:40
http://reply.papertrans.cn/23/2266/226550/226550_23.png
disrupt
发表于 2025-3-25 16:11:00
https://doi.org/10.1007/978-94-017-2874-4of a photographic lens to create an impression of life in the ‘magical’ moment of viewing. Keith Broadfoot and Rex Butler, for example, observe that animation brings to light ‘a humanity which can no longer be known in itself: it is a humanity without any essence’.. In animating the still image, an
丛林
发表于 2025-3-25 21:44:21
Book 2012Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.
思想灵活
发表于 2025-3-26 02:47:23
https://doi.org/10.1057/9781137284624cinema; film; Hollywood
SLAY
发表于 2025-3-26 06:56:42
978-1-349-33518-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2012
泄露
发表于 2025-3-26 09:58:48
Overview: Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.978-1-349-33518-3978-1-137-28462-4
Munificent
发表于 2025-3-26 14:55:07
http://reply.papertrans.cn/23/2266/226550/226550_29.png
JADED
发表于 2025-3-26 17:20:38
Classical Hollywood’s Mature Technologye. ., 1984) gave way to reassuring myths of mechanical saviours, programmed to privilege human agency (i.e. ., 1991). Such texts point to a perennial feature of technological change, in which producer–consumer relations become embedded in the assemblage.