鬼魂 发表于 2025-3-23 12:15:46
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Book 2019objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .absorbed 发表于 2025-3-24 04:14:24
tion on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .978-3-030-10877-9大猩猩 发表于 2025-3-24 08:41:42
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Cinematic Intermedialities and Contemporary Holocaust Memory978-3-030-10877-9ingenue 发表于 2025-3-24 18:24:38
https://doi.org/10.1007/3-540-34829-8ion of Holocaust memory. In the final section of the chapter, I then explain how we might think about Holocaust memory as something that can be produced by working through several ideas that have shaped recent developments in memory studies.Tidious 发表于 2025-3-24 18:59:24
Andrey Nechaev,Elena Ilina,Miaomiao Liive materials to perpetuate memory of the Holocaust. My discussion of . particularly highlights the archaeological nature of the film and how its desire to disrupt any previous meaning related to perpetrator-commissioned images can be a powerful tool for memory.Exterior 发表于 2025-3-25 02:17:56
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