Assert
发表于 2025-3-21 17:41:37
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cavity
发表于 2025-3-21 22:36:17
The Editor(s) (if applicable) and The Author(s) 2019
Nebulizer
发表于 2025-3-22 03:51:04
https://doi.org/10.1007/3-540-34829-8In this introduction to the book, I ground this work in the existing literature about intermediality and offer a chapter breakdown of the rest of the monograph.
Infraction
发表于 2025-3-22 07:27:34
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HEDGE
发表于 2025-3-22 12:04:46
Victoria Grace WaldenMarks the first book to foreground cinematic intermedialities in relation to Holocaust memory.Turns from the visual and representational quality of images to the space in-between them.Emphasises Holoc
陶瓷
发表于 2025-3-22 16:21:21
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陶瓷
发表于 2025-3-22 19:20:18
https://doi.org/10.1007/3-540-34829-8cular type of cinematic experience. Here, I explore what is at stake when we decide to look beyond representation and attend to the inbetweens that characterise intermedial cinematic experiences that confront the Holocaust through a review of Alain Resnais’s . (. 1956). This chapter starts by positi
atopic-rhinitis
发表于 2025-3-22 22:59:28
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Demonstrate
发表于 2025-3-23 03:04:21
Regional Economic Development in Russiaoth within the films, and through the spectator’s engagement with the film. I am interested in the ways tangible, yet nonorganic lines, marks and things can encourage the contemporary spectator to feel affects such as trauma and destruction related to the very human experience of the Holocaust witho
Ligneous
发表于 2025-3-23 06:21:48
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