中间时期 发表于 2025-3-21 19:10:04
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https://doi.org/10.1007/978-3-662-04911-2 of the cinematically constructed past via physical-sensory stimuli. Against the general assumption that the constitutive feature of historical films is that they represent history, it is instead their audiovisual . and . of a historical world, which enables an immediate . of history.ASSAY 发表于 2025-3-22 04:23:47
https://doi.org/10.1007/3-540-34829-8 examines the aesthetics and function of film sound, understood as an equally important expressive dimension of histospheres. The two aspects are brought together in the third section: The fusion of sound and vision makes the historical film not just a model of a historical world, but a form of perception in its own right.Compatriot 发表于 2025-3-22 04:45:06
https://doi.org/10.1007/3-540-34829-8rally arranged historical world. Building on this, the third section proposes that, for historical films, the film theory concept of mise-en-scène should be supplemented by a concept of .: the imaginative referentialization of the historical worlds constructed by a film.Vital-Signs 发表于 2025-3-22 11:46:31
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Audiovisual History, examines the aesthetics and function of film sound, understood as an equally important expressive dimension of histospheres. The two aspects are brought together in the third section: The fusion of sound and vision makes the historical film not just a model of a historical world, but a form of perception in its own right.Epidural-Space 发表于 2025-3-23 06:48:48
Modeling and Perceiving,rally arranged historical world. Building on this, the third section proposes that, for historical films, the film theory concept of mise-en-scène should be supplemented by a concept of .: the imaginative referentialization of the historical worlds constructed by a film.