tic-douloureux
发表于 2025-3-23 11:10:25
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大包裹
发表于 2025-3-23 14:24:56
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V切开
发表于 2025-3-23 20:54:00
2634-5951 ilosophical and critical theories and methodologies in order.This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume c
射手座
发表于 2025-3-23 23:29:36
https://doi.org/10.1007/978-3-662-04234-2 This chapter traces the relationships between the place and use of cinema within the Sahrawi project of identity and of state-building, using the trope of mobility to examine the intersection of political and cultural stakes in the Western Sahara.
有机体
发表于 2025-3-24 04:03:46
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旧式步枪
发表于 2025-3-24 08:36:13
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狂乱
发表于 2025-3-24 10:40:53
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灿烂
发表于 2025-3-24 18:02:44
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天然热喷泉
发表于 2025-3-24 22:54:09
Mobilities of Cinematic Identity in the Western Sahara This chapter traces the relationships between the place and use of cinema within the Sahrawi project of identity and of state-building, using the trope of mobility to examine the intersection of political and cultural stakes in the Western Sahara.
headlong
发表于 2025-3-25 02:08:31
Amiralay and Sabbagh in the Post-cinematic Ageeir films address processes of interpellation at the intersections of subject and state, ruler and ruled, occupier and occupied, and self and other, this chapter looks comparatively at two distinctly different approaches to cinema that bring questions of performativity and revolutionary Third Cinema into the contemporary foreground.