Exclude
发表于 2025-3-30 08:22:53
Tinkering Away: The Untimely Art of Subtractiontext nor depends upon representation as such? This chapter poses three ways of conceiving of subtraction within dance, in relation to the canonical, choreographic production and the audience-performer relation. It argues that the notion of subtraction offers a particular way of conceiving of the pro
斗志
发表于 2025-3-30 16:03:44
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COMA
发表于 2025-3-30 17:35:12
Flickering Photology: Turning Bodies and Textures of Lightter argues that . creates a flickering ‘photology’ or knowledge of light in which there is not only a relay from Maliphant’s work to optical experiments in early modern dance and visual art, but also a relay from those practices to phenomenological theory, especially as that has been developed by Me
Anticoagulant
发表于 2025-3-30 23:35:14
Caribbean Dance: British Perspectives and the Choreography of Beverley Gleanof the 1980s and formed a dominant discourse, could not make sense of the dance company, IRIE!, and blurred the boundaries between its notional templates of what ‘traditional’ or ‘modern’ dance by people of non-Western heritage should look like. The chapter looks to Thomas DeFrantz’s concept of corp
ureter
发表于 2025-3-31 04:05:29
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Comedienne
发表于 2025-3-31 06:42:25
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沉着
发表于 2025-3-31 12:40:37
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莎草
发表于 2025-3-31 14:36:54
Corporeal Memories: A Historian’s Practicearn: to question beliefs and aspects of their practice they have thus far taken for granted. For the teacher, this principle requires openness about our (institutional) positions of power, both restrictions imposed by curricular demands and our cherished canons of art. In this paper, I address some