乞讨 发表于 2025-3-25 06:22:05

Tension: A Guiding Force in Performance, Philosophy, and Politics,een presence and absence of objects, between attempts at grounding the totality of an object and the repeated failure of this endeavour, introduces tension as a guiding force. I suggest that the force of tension enables movement beyond philosophical dualism, politics in terms of harmony, and artistic practices in terms of abstractions.

Ascribe 发表于 2025-3-25 07:30:16

https://doi.org/10.1007/978-3-663-01188-0een presence and absence of objects, between attempts at grounding the totality of an object and the repeated failure of this endeavour, introduces tension as a guiding force. I suggest that the force of tension enables movement beyond philosophical dualism, politics in terms of harmony, and artistic practices in terms of abstractions.

冲击力 发表于 2025-3-25 12:48:35

Goran Petrović-LotinaOffers new insight on the connections between politics and performance.Argues for a re-imagining of artistic performance as an instrument of democracy.Expands the politico-philosophical debate on theo

巩固 发表于 2025-3-25 15:58:15

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无法取消 发表于 2025-3-25 23:13:28

https://doi.org/10.1007/978-3-030-79446-0Performance studies; Performance philosophy; Political philosophy; Cultural studies; Choreography; Dance;

FECT 发表于 2025-3-26 03:09:17

978-3-030-79448-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

micturition 发表于 2025-3-26 06:33:08

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沐浴 发表于 2025-3-26 11:32:19

Rechtliche Stellung von App-Storesal background against which artistic practices come into being. Against the backdrop of the neoliberal political framework of first-world capitalism, this chapter focuses on the crisis of neoliberalism and the rise of populism in Western Europe. To observe the increasing demand for popular sovereign

Transfusion 发表于 2025-3-26 14:23:38

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Constant 发表于 2025-3-26 16:53:48

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查看完整版本: Titlebook: Choreographing Agonism; Politics, Strategies Goran Petrović-Lotina Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusi