包庇
发表于 2025-3-23 10:33:19
The Choreography of Articulation,e when leaders are appointed to defend the peoples’ demands within institutions (the Spanish . 2014). The choreography of articulation opens up the possibility for movement-parties seen as alternative forms of political organisation tied to both institutions and social activism.
唠叨
发表于 2025-3-23 15:13:32
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fiction
发表于 2025-3-23 21:16:30
Discourse Theory and Artistic Performances,icularly on . (2014), a performance by Arkadi Zaides, a Belarus-born, Israeli choreographer based in France. With these examples in mind, I introduce key notions of tension, drama, affect, opinion formation, and (dis)identification, which I will develop in subsequent chapters.
locus-ceruleus
发表于 2025-3-24 00:39:54
Affects and Opinion Formation, of investing affects in artistic performances gives rise to opinion formation. By extension, I show how uneven opinions mobilise innovative affects and affective states. Introducing the interplay between affects and opinion formations, this chapter extends the purview of the operation of (dis)identification.
旋转一周
发表于 2025-3-24 05:09:02
Identifications, Using the example of ., a performance by the Germany-based ‘collective’, Rimini Protokoll, I will demonstrate how artistic performances enact identification while imagining an alternative form of community.
博爱家
发表于 2025-3-24 09:36:44
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不满分子
发表于 2025-3-24 13:02:23
democracy.Expands the politico-philosophical debate on theo.In. Choreographing Agonism., author Goran Petrović Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrović Lot
refine
发表于 2025-3-24 17:30:35
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Additive
发表于 2025-3-24 21:00:39
Zum Stellenwert von Frauenpolitikal Mouffe. My goal is to show that the (performing) body is always inscribed in a set of languages, practices, and institutions, and hence symbolically represented. As such, the body provides a dramatic encounter with the audience, mobilising the spectator’s senses to envisage different realities and to contest a dominant politics.
裂隙
发表于 2025-3-25 02:35:26
Drama: An Encounter Between the Performance and the Audience,al Mouffe. My goal is to show that the (performing) body is always inscribed in a set of languages, practices, and institutions, and hence symbolically represented. As such, the body provides a dramatic encounter with the audience, mobilising the spectator’s senses to envisage different realities and to contest a dominant politics.