共和国
发表于 2025-3-25 03:23:39
On the Economic Theory of Socialism: Part I, films indicating an abiding possibility of exploring ambivalence towards the notion of a core ‘Chineseness’. It is apparent that the Chinese version of capitalism has brought both opportunities and disruptions to society which stimulates more independent artists to express their concerns online via
ear-canal
发表于 2025-3-25 10:12:07
A Note on Welfare Propositions in Economics,en discussed. What distinguishes the situation in China is the relative absence of the aesthetic ‘carte blanche’ that tends to be associated with ‘independent’ art in either the English-speaking world, Japan or Europe. The obligation to have a strategy to survive within a broader matrix of socio-cul
无政府主义者
发表于 2025-3-25 12:39:43
Wenhai ZhouExamines the significance of Chinese independent animation that reflecting the current sociocultural changes.Considers independent animation as a social mirror reveals artistic individuality and cultu
quiet-sleep
发表于 2025-3-25 18:23:57
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Harbor
发表于 2025-3-25 20:13:28
Chinese Independent Animation978-3-030-40697-4Series ISSN 2523-8086 Series E-ISSN 2523-8094
modish
发表于 2025-3-26 02:23:03
https://doi.org/10.1007/978-3-030-40697-4Chinese Independent Animation; Independent Ecology; Post-Socialist Reality; Ideology; Chinese Modernity
HUMID
发表于 2025-3-26 06:06:43
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乱砍
发表于 2025-3-26 09:01:47
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enchant
发表于 2025-3-26 15:14:23
,Understanding the Ecology of Independent Chinese Animation Within the Context of China’s Post-Socia in the first instance, find a more widespread audience and, in the second, find a forum for mutual recognition and support. In this connection it is necessary to consider the Chinese Independent Animation Film Forum (the first unofficial, non-profit forum) as a platform that attracts more independe
institute
发表于 2025-3-26 20:32:35
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