Bravura
发表于 2025-3-23 10:37:49
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EXTOL
发表于 2025-3-23 17:31:57
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Intuitive
发表于 2025-3-23 18:30:15
Lei Lei: The Global Practitioner of Independent Animation,d aesthetic styles and highly personal commentaries on post-socialist China. The expansion of social media platforms to promote and stimulate self-expression in animation art also inspired Lei Lei to discover an alternative path that enables his work to travel beyond China. Unlike Pi San who has bee
脱落
发表于 2025-3-24 01:31:00
The Future Prospect of the Chinese Independent Animation Ecology, films indicating an abiding possibility of exploring ambivalence towards the notion of a core ‘Chineseness’. It is apparent that the Chinese version of capitalism has brought both opportunities and disruptions to society which stimulates more independent artists to express their concerns online via
SKIFF
发表于 2025-3-24 02:45:01
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贞洁
发表于 2025-3-24 08:55:00
Henry Mintzberg,James A. Watersation in the People’s Republic of China and reviews relevant scholarship to date, particularly that of Wu (.. Thesis, City University of Hong Kong, 2006), Voci (.. Taylor & Francis, 2010) and Macdonald (.. Taylor & Francis, 2015). It also outlines how the independent animation sector, a relatively u
Paraplegia
发表于 2025-3-24 13:55:13
https://doi.org/10.1007/978-1-349-20317-8s on the transition from the . legacy towards a more individualised mode of animation production, a transition that entails discussion of the importance of Flash as a relatively flexible and easily accessible platform for animators working privately in their domestic spaces. This also implied a move
挣扎
发表于 2025-3-24 17:29:10
Defining Corporate Strengths and Weaknesses’s well-known characterisation of animation as a ‘light’ mode of artistic expression. Even so, the characteristic ‘lightness’ associated with China’s animation subtly altered the direction of . animation in certain distinctive ways, to redefine the possibilities of a ‘post-socialist’ Chineseness. Th
围裙
发表于 2025-3-24 22:04:23
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Morose
发表于 2025-3-25 01:30:50
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