stroke
发表于 2025-3-26 22:14:53
Introduction,nvisions children and childhood. Alfred Hitchcock once intoned: “Fear isn’t so difficult to understand. After all, weren’t we all frightened as children?”—a sentiment that quietly wafts, like a fading perfume, through many of Hitchcock’s films. Francois Truffaut’s 1961 extended interview with Alfred
avenge
发表于 2025-3-27 02:04:40
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cacophony
发表于 2025-3-27 08:08:52
,“The Future’s Not Ours to See”: How Children and Young Adults Reflect the Anxiety of Lost Innocencegunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s
ETHER
发表于 2025-3-27 11:53:25
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意见一致
发表于 2025-3-27 14:01:21
,No Laughing Matter: Imperiling Kids and Country in Alfred Hitchcock’s , (1936), as “testicle.”. Such levity lightened a grim subject, as young Tester played a boy caught in the explosive hi-jinks of international intrigue. But the director’s teasing also hints at the film’s greater political issue. In portraying the 12-year-old Stevie,. Tester embodied the figurative crown jew
perpetual
发表于 2025-3-27 19:06:36
,“If You Rip the Fronts Off Houses”: Killing Innocence in Alfred Hitchcock’s , (1943),g the killing of children. There is a notable exception to this in . (1936), one that occasioned a telling exchange between Hitchcock and Truffaut. Referring to the infamous scene in which a bus full of Londoners is killed by the explosion of a bomb carried by an unwitting young boy, Truffaut observ
胆小懦夫
发表于 2025-3-27 22:16:43
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PUT
发表于 2025-3-28 02:25:23
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Hirsutism
发表于 2025-3-28 06:54:24
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过于光泽
发表于 2025-3-28 13:45:36
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