万灵药
发表于 2025-3-21 17:32:13
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Facet-Joints
发表于 2025-3-21 20:19:47
https://doi.org/10.1057/9781137472816Alfred Hitchcock; children; cultural studies; film; Hollywood; youth; society; classic Hollywood Cinema; cip
蛤肉
发表于 2025-3-22 01:01:46
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薄膜
发表于 2025-3-22 07:19:32
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古老
发表于 2025-3-22 09:24:49
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INCUR
发表于 2025-3-22 16:16:05
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INCUR
发表于 2025-3-22 18:01:39
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glacial
发表于 2025-3-22 22:56:08
Hans VanDer Schaaf,Dara Shifrerhildren “missing” from Hitchcock’s films? Most obviously, in a purely literal sense, children appear prominently in a mere six Hitchcock films: . (1934), . (1936), . (1943), . (1955), . (1956), and . (1963). To these six films we could add the highly suggestive cameo appearances in . (1929), . (1937
侵略
发表于 2025-3-23 04:51:02
https://doi.org/10.1007/978-1-4020-7942-9gunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s
不近人情
发表于 2025-3-23 05:46:20
Roberta Arduini,Fabrizio Cesaroniite, pun.. The song “Que Sera, Sera” from the 1956 version is still popular today, although many listeners are unaware of the song’s filmic origins. Despite mainstream familiarity with these cultural elements, in early academic Hitchcock studies, the two films are casually referenced or missing alto