召唤 发表于 2025-3-21 19:52:30
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https://doi.org/10.1007/978-3-642-74575-1in work on a series of high-concept pictures that eschewed stardom and modern hedonism, and tested the limits of dramatic spirituality. Never a church-goer and deeply distrustful of clerical authority, the director melded Biblical fundamentalism with modern science and “New Thought” spirituality. Th全等 发表于 2025-3-22 04:16:29
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https://doi.org/10.1007/978-3-642-74575-1cal sections. The first explores DeMille’s early years, his increasingly troubled relationship with the economic imperatives of the burgeoning studio system, and his heightened interest in film finance and marketing. The second examines DeMille’s travails as an independent producer. Here his artistiIntruder 发表于 2025-3-22 12:45:09
James J. Solberg,Joseph A. Heime from Ayn Rand’s popular libertarian novel ., which famously asks, “Who is John Galt?” DeMille’s early friendship and correspondence with Rand reveals deep contrasts between their ideological goals. Unlike Rand and those who supported ideological censorship through the Motion Picture Alliance for tangiography 发表于 2025-3-22 15:54:01
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Design of Capability Delivery AdjustmentsThis chapter establishes the goals of the text—to review the long and profitable career of Cecil B. DeMille within the historical context of his times—and seeks to place the methodology of the study within the long history of Film and Cultural Studies.Insubordinate 发表于 2025-3-23 03:48:22
Locating DeMille,This chapter establishes the goals of the text—to review the long and profitable career of Cecil B. DeMille within the historical context of his times—and seeks to place the methodology of the study within the long history of Film and Cultural Studies.清真寺 发表于 2025-3-23 06:30:35
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