收养 发表于 2025-3-26 21:07:42
Book 2018mmercial culture in the US. DeMille’s success rested on how well his films presumed a broad consensus in the American public—expressed through consumer hedonism, faith, and an “exceptional” national history—which merged seamlessly with the efficient production methods developed by the largest integr侵害 发表于 2025-3-27 04:53:52
James J. Solberg,Joseph A. Heime director’s public personality shifted as a result of these ideological pressures. Once hailed as an innovative commercial artist, by the 1940s his role as mass culture’s “Mr. Hollywood” politicized his image and caricatured his work with profoundly negative consequences.爱好 发表于 2025-3-27 06:25:19
Who Is Cecil B. DeMille?,e director’s public personality shifted as a result of these ideological pressures. Once hailed as an innovative commercial artist, by the 1940s his role as mass culture’s “Mr. Hollywood” politicized his image and caricatured his work with profoundly negative consequences.sclera 发表于 2025-3-27 10:59:14
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https://doi.org/10.1007/978-3-642-74575-1included . (1923), . (1927), and . (1932)—and concludes with three revealing yet lesser-known and more experimental spiritual films—. (1924), . (1925), and . (1928)—that expanded the notion of faith beyond Scripture.Perennial长期的 发表于 2025-3-27 21:17:07
Hamid Ouanan,Mohammed Ouanan,Brahim Aksasse highlighted a syntax of consensus through the shared semantics of visual pleasure, a stylized realism, and the spectacle of crowds. A close reading of passages common to both the 1923 and 1956 releases of his Biblical epic identifies how DeMille modified his filmmaking in the modern era.fertilizer 发表于 2025-3-27 23:35:53
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The Wanderer,included . (1923), . (1927), and . (1932)—and concludes with three revealing yet lesser-known and more experimental spiritual films—. (1924), . (1925), and . (1928)—that expanded the notion of faith beyond Scripture.Peculate 发表于 2025-3-28 08:24:36
http://reply.papertrans.cn/23/2227/222697/222697_39.pngIntrepid 发表于 2025-3-28 10:52:02
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