Nonporous
发表于 2025-3-25 05:14:53
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惰性气体
发表于 2025-3-25 09:43:21
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使入迷
发表于 2025-3-25 14:56:38
https://doi.org/10.1007/978-3-319-76898-4Shanghai; Single Women; Creative Careers; Womanhood; Singlehood; Creative Labour; Precarity; Unmarried wome
Gobble
发表于 2025-3-25 16:49:24
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关节炎
发表于 2025-3-25 23:35:46
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Brittle
发表于 2025-3-26 03:26:25
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生来
发表于 2025-3-26 05:32:46
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–scent
发表于 2025-3-26 10:16:27
Penelope Wells,Roslyn B. Alfin-Slater popular cultural productions, it offers an overview of their representations across a plethora of genres and platforms. The overview cross-references the popular terms that have emerged and have circulated in the last couple of decades, such as 3S Lady (“single, born in the seventies, stuck”) and .
游行
发表于 2025-3-26 14:52:57
https://doi.org/10.1007/978-3-662-67597-7l, individual sense, but also as connected to the historical features specific to China—for instance, the post-1990s (.) with their confident earnestness to engage in start-up projects, the post-1980s (.) with the introduction of the one-child policy, and the post-1970s (.) with the intertwining of
联想
发表于 2025-3-26 20:12:21
Fat: The Good, the Bad, and the Ugly,from existing scholarship on creative work in two ways. First, it chooses to suspend the concerns surrounding exploitation and alienation in lieu of an empirical investigation of what Hesmondhalgh and Baker call “good work.” It recuperates what these women have to say about good work, and how they g