STALE 发表于 2025-3-23 09:54:59

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obnoxious 发表于 2025-3-23 16:39:22

Balancing Work/Life?,d; second, some choose creative work to capitalize on its flexibility and autonomy in order to lead their single lives; and finally, some are wrestling with the success of their creative work, finding it difficult to find compatible life partners.

slipped-disk 发表于 2025-3-23 18:53:42

To Love, to Live,erest groups, and engaging in cultural activities. Third, there are also more positive articulations of freedom and autonomy, lifestyle, and social support, underwriting single lives’ potentials to open up spaces for alternative forms of relationships and co-habitation beyond the heteronormative.

achlorhydria 发表于 2025-3-24 00:58:14

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GIST 发表于 2025-3-24 03:31:29

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vitreous-humor 发表于 2025-3-24 09:34:46

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克制 发表于 2025-3-24 10:57:09

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Atheroma 发表于 2025-3-24 15:28:32

,Living with Us—The Case of Kunqu,omen. In so doing, it engages with three lines of scholarship: deliberations on (imagined) community and citizenship, creative labour studies that often frame “sociality” among creative workers in professional terms, and fandom studies as well as audience research, which attempt to redefine what fans and audiences are in our time.

表主动 发表于 2025-3-24 22:28:28

Living with the City,he three T’s—talent, technology, and tolerance—have been put forward as the ideal place to attract and keep creative workers, this inquiry intervenes in this line of thought on creative class mobility with empirical insights from Shanghai, to offer one reply to the fundamental issue of how people make a place of their own, of who owns the city.

Lumbar-Stenosis 发表于 2025-3-25 00:28:22

Epilogue, to recognize what the women have done, and are capable of. It inspires an ethics of care, a plea for more people to refuse what is expected of them, to live differently, to be more sure of their capacity to take care of themselves, despite and because of all the struggles. After all, they love ..
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查看完整版本: Titlebook: Caring in Times of Precarity; A Study of Single Wo Chow Yiu Fai Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Shanghai.Sin