Altitude
发表于 2025-3-25 03:54:56
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Fibrinogen
发表于 2025-3-25 11:05:57
https://doi.org/10.1007/978-3-642-11069-6ency and genre or theater, or between any of the linguistic variables and factors like gender, age and social class. A larger sample may indicate such relationships beyond the possibility of sampling error.
infinite
发表于 2025-3-25 12:48:27
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省略
发表于 2025-3-25 18:03:06
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OREX
发表于 2025-3-25 21:47:24
Case Study 2: Left and Right Dislocation, less frequent in a literary magazine article. They are also less frequent in the Digital Parisian Stage corpus, and even less frequent in the 1800–1815 theatrical texts in FRANTEXT. This corroborates the evidence in Case Study 1 that FRANTEXT plays are more conservative than the average Parisian play from the same time.
fringe
发表于 2025-3-26 00:38:33
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招致
发表于 2025-3-26 07:37:44
r representative corpus design and compilation.Illustrates t.The Digital Parisian Stage Project aims to compile a corpus of plays that are representative of performances in the theaters of Paris through history. This book surveys existing corpora that cover the nineteenth century, lays out the issue
骇人
发表于 2025-3-26 10:27:51
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转向
发表于 2025-3-26 12:45:51
The Digital Parisian Stage Project,rpus is based on a random 1% sample of the plays listed in Wicks Volume 1 (1950), covering the years 1800–1815. Of those 31 plays, 24 were obtained from Google Books, Gallica and other sources. These works have been converted to full text, cleaned and formatted. They are currently available for free download and collaboration on GitHub.
patella
发表于 2025-3-26 18:41:23
oleonic era. It presents a compelling argument for the compilation and use of representative corpora in linguistic study, and will be of interest to those working in the fields of corpus linguistics, digital humanities, and history of the theater..978-3-030-32402-5