里程碑 发表于 2025-3-23 12:56:18
,Kritische Würdigung und Fazit,ut the Jewish character Mordecai, that she was trying “to give new elements” in the creation of this important character, to give readers something different in Mordecai than what author Benjamin Disraeli had given with Sidonia, the Jewish character in . (1844) (Eliot, . 6:223). Yet, Eliot recognizedisparage 发表于 2025-3-23 14:43:23
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http://reply.papertrans.cn/20/1912/191191/191191_13.png没花的是打扰 发表于 2025-3-24 01:10:37
Leaping Luxuries and Transitional Consumersbeth Peters was working on a new Amelia Pea-body novel (Mertz, “Notes” n. pag.), part of a mystery series that features an Amelia Edwards-like Englishwoman who solves crimes while traveling in Egypt. Though Peters’s focus on an independent woman detective may be compelling to readers invested in womACE-inhibitor 发表于 2025-3-24 05:58:23
nt Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation..978-1-349-55520-8978-1-137-56614-0HAUNT 发表于 2025-3-24 09:32:58
Book 2016.Focusing on British women writers‘ knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation..Liberate 发表于 2025-3-24 10:54:27
https://doi.org/10.1057/9781137566140Britain; fiction; gender; George Eliot; history of literature; literature; nineteenth century; novel; socialHarness 发表于 2025-3-24 18:52:32
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