Forestall 发表于 2025-3-21 16:10:28

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Offensive 发表于 2025-3-21 22:55:24

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说明 发表于 2025-3-22 01:44:45

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聚集 发表于 2025-3-22 05:11:54

https://doi.org/10.1007/978-3-642-97248-5pectives on the development of UK television drama in the latter part of the twentieth century. Whilst there was a particular focus on the institutions, practices and personnel of the so-called ‘Golden Age’ of the 1960s and 1970s — reflecting the conference from which several of the contributions ca

epinephrine 发表于 2025-3-22 12:06:41

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BIPED 发表于 2025-3-22 15:09:04

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Dislocation 发表于 2025-3-22 18:44:38

Produkt-, Sortiments- und Servicepolitik, I was given my first job as assistant story editor, in 1960, by the now legendary Sydney Newman.. I had sent Sydney a children’s serial which I had written about the first settlers in Virginia. In retrospect, it was hardly a subject likely to appeal to a man of his tastes, but it got me an intervie

杂役 发表于 2025-3-22 22:30:29

Produkt-, Sortiments- und Servicepolitik,er and director in the 1960s and 1970s.. I ought to say at the outset that I was probably the main progenitor of the theory that the late fifties and the sixties were the ‘Golden Age’ of television, in an account I gave for the first MacTaggart lecture.. I would love everybody who got that phrase fr

独行者 发表于 2025-3-23 01:26:18

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Communal 发表于 2025-3-23 05:48:52

Gerald Corbae,Jakob B. Jensen,Dirk Schneider saw, with the launch of Channel 4, the first episode of . (1982–2003), the programme my name would probably become best known for, alongside . (BBC 1978–2008) and . (Channel 4 1995–). Yet, both my own and . backstory began almost 40 years earlier. Not in my native Liverpool, but in Tokyo Bay, on th
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查看完整版本: Titlebook: British Television Drama; Past, Present and Fu Jonathan Bignell (Professor of Television and Film Book 2014Latest edition Palgrave Macmilla