水土
发表于 2025-3-30 12:11:19
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议程
发表于 2025-3-30 15:12:22
Zany ‘Alternative Comedy’: , vs. Margaret Thatchernistic and xenophobic humour, but also the elitist absurdity that had come to be the hallmark of Oxbridge comedy . ‘Footlights’. Sayle ended on the idea that he was still full of hate for elitism and privilege, and singled out an episode of . (BBC2 1982–1984) as a moment of epiphany:
细胞膜
发表于 2025-3-30 18:42:53
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Malleable
发表于 2025-3-31 00:41:04
Overview: This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of ‘Britcoms‘. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.978-1-137-55295-2
下垂
发表于 2025-3-31 02:52:15
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aerial
发表于 2025-3-31 08:04:07
Aktionsgrundlagen der Marketingentscheidung,that was featured in the . in 1990. In it, Jennifer Saunders plays a mother called Adrianna and Dawn French her daughter Saffron. The point of the sketch was that the middle-aged single mother behaved like a teenager. By contrast, her teenage daughter acted like a middle-aged woman (Vahimagi 310, 336).
vasospasm
发表于 2025-3-31 12:29:42
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Binge-Drinking
发表于 2025-3-31 16:36:41
Extending the marketing concept and subversion, British TV comedy plays a significant role in the formation, dissemination and reflection of cultural values, structures of identification and notions of difference: concepts of class, gender, ethnicity, disability, sex, family, work and domesticity find a most intriguing and provoc