irreparable
发表于 2025-3-28 16:53:28
Kommunikationspolitische Entscheidungennistic and xenophobic humour, but also the elitist absurdity that had come to be the hallmark of Oxbridge comedy . ‘Footlights’. Sayle ended on the idea that he was still full of hate for elitism and privilege, and singled out an episode of . (BBC2 1982–1984) as a moment of epiphany:
急急忙忙
发表于 2025-3-28 20:40:42
http://reply.papertrans.cn/20/1912/191173/191173_42.png
mortgage
发表于 2025-3-29 01:54:13
http://reply.papertrans.cn/20/1912/191173/191173_43.png
小说
发表于 2025-3-29 06:04:46
http://reply.papertrans.cn/20/1912/191173/191173_44.png
修改
发表于 2025-3-29 09:07:42
http://reply.papertrans.cn/20/1912/191173/191173_45.png
健谈
发表于 2025-3-29 11:37:28
Konzeptionelle Grundlagen des Marketing,on in British TV comedy. The show may have notched up only 26 instalments between the winter of 1994, when the first episodes were aired, and the latest Comic Relief Special, which was broadcast on 13 March 2015. Yet the very fact that the show was repeatedly extended and picked up for holiday and C
称赞
发表于 2025-3-29 17:31:45
http://reply.papertrans.cn/20/1912/191173/191173_47.png
我邪恶
发表于 2025-3-29 22:08:19
http://reply.papertrans.cn/20/1912/191173/191173_48.png
candle
发表于 2025-3-30 01:34:41
http://reply.papertrans.cn/20/1912/191173/191173_49.png
Carcinoma
发表于 2025-3-30 07:35:30
https://doi.org/10.1057/9781137552952Television; British; British Television; Comedy; TV Comedy; Britcom; Sitcom; Politics of Humour; Class; Race;