Arthur
发表于 2025-3-21 16:42:53
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吹牛需要艺术
发表于 2025-3-21 20:19:42
David Aaker,Florian Stahl,Felix Stöckleamphlet engaging a legal dispute between Edinburgh master-printers and compositors uses “an example” from a work “in everybody’s hands, the Edinburgh Review” (Additional Memorial 2). Their prominence provoked responses across the political spectrum.
里程碑
发表于 2025-3-22 00:34:08
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Airtight
发表于 2025-3-22 07:47:38
Book 2009y positioning themselves as both the predominant purveyors of scientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh, Blackwood s, and the Westminster became the repositori
灵敏
发表于 2025-3-22 10:02:04
Christiane Wenhart,Uwe Munzinger in prescribed ways. A paradigmatic figure for this performance in Romantic-era London was Abraham Goldsmid. His own performance of his public identity operated within the matrix of the periodical press, and confronted William Cobbett’s marshaling of cultural anti-Semitism.
STERN
发表于 2025-3-22 14:30:17
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Crater
发表于 2025-3-22 19:17:05
Book 2009anticipated his public image in the periodicals, to William Hazlitt, equally journalist and subject of the reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force inthe consolidation of Romantic print culture.
inconceivable
发表于 2025-3-22 22:31:59
Nineteenth-Century Major Lives and Lettershttp://image.papertrans.cn/b/image/191106.jpg
显微镜
发表于 2025-3-23 04:52:52
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collagenase
发表于 2025-3-23 06:15:42
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