多愁善感
发表于 2025-3-21 17:32:53
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Decline
发表于 2025-3-21 23:43:05
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调整校对
发表于 2025-3-22 02:47:22
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的是兄弟
发表于 2025-3-22 05:47:12
Matthew A. Haynes,Birgit Lohmannmade its way to this outpost of artistic creativity, tucked away in a Westminster side street.According to Robert Medley, who made the masks for this production,‘a distinguished and elite audience climbed the precipitous andunsavoury stairs to see it at the time, amongst whom was W. B. Yeats(whom I
有杂色
发表于 2025-3-22 09:32:29
https://doi.org/10.1007/978-3-662-08494-6 particular interest as we discuss the issue of structure in the British avant-garde. He went on to say that this plot ‘must connect the various incidents in such a way that the whole will be disjoined and dislocated if any one of them is transposed or removed’ (1969, p. 17). Though by no means univ
宽大
发表于 2025-3-22 15:00:33
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GLOSS
发表于 2025-3-22 19:38:59
Many-body Approaches at Different Scalesally may seem to be more disagreement than accord with two clear sides forming: the poetic and the political. On the one hand, there were the Group Theatre dramatists; poets or prose writers first and foremost, playwrights like Auden, Isherwood,MacNeice, Eliot and Spender brought a keen sense of syn
biosphere
发表于 2025-3-22 23:07:14
M. Bercx,R. Saniz,B. Partoens,D. Lamoennemployment, transformations in class and gender relations, and an overwhelming sense that the overarching narratives of former times had broken down. The characters of these plays embodied those contemporaneous challenges. In general, there was very little attempt to create illusion and characters
衍生
发表于 2025-3-23 04:54:06
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ABASH
发表于 2025-3-23 05:40:26
M. Bercx,R. Saniz,B. Partoens,D. Lamoences mentioned here existed for a time and made some impact, introducing fascinating (at times convoluted, at times remarkably effective) formal and thematic changes. And while the plays analysed are now largely unperformed, diminishing into the vaults of theatre history, the methods and examples sti