博识
发表于 2025-3-23 10:35:28
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BATE
发表于 2025-3-23 16:11:31
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魔鬼在游行
发表于 2025-3-23 20:40:12
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管理员
发表于 2025-3-24 01:38:35
M. Bercx,R. Saniz,B. Partoens,D. Lamoences mentioned here existed for a time and made some impact, introducing fascinating (at times convoluted, at times remarkably effective) formal and thematic changes. And while the plays analysed are now largely unperformed, diminishing into the vaults of theatre history, the methods and examples still remain, residual but ‘still there’.
性行为放纵者
发表于 2025-3-24 04:48:35
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Proclaim
发表于 2025-3-24 07:48:13
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irradicable
发表于 2025-3-24 12:51:23
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Highbrow
发表于 2025-3-24 14:51:16
Language: Disturbing Words,ally may seem to be more disagreement than accord with two clear sides forming: the poetic and the political. On the one hand, there were the Group Theatre dramatists; poets or prose writers first and foremost, playwrights like Auden, Isherwood,MacNeice, Eliot and Spender brought a keen sense of syn
感染
发表于 2025-3-24 19:31:35
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发怨言
发表于 2025-3-25 03:06:22
Crossing Genres: Movement and Music,ave seen, cinema, radio, print journalism and variety theatre forms impacted poetic and political groups alike, once again contradicting any artificial divisions. But this was, I suggest,a reflection of a larger growing preoccupation with cross-generic forms more generally; surely if the barrier bet