Reticent
发表于 2025-3-21 17:25:57
书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0189821<br><br> <br><br>书目名称Border-Crossing and Comedy at the Théâtre Italien, 1716–1723读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0189821<br><br> <br><br>
最有利
发表于 2025-3-21 20:19:19
978-3-030-70073-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
努力赶上
发表于 2025-3-22 01:52:01
N. Lindenstrauss,Y. Sagiv,A. Serebrenikon also maps out the analytic framework of the book, synthetizing terms such as .-. and . as they relate to commedia dell’arte, eighteenth-century France, and comedy. Finally, the chapter outlines what may be revealed by comparing Riccoboni to other migrant comedians across time. Ultimately, the int
尖叫
发表于 2025-3-22 06:45:34
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BANAL
发表于 2025-3-22 12:38:41
Lecture Notes in Computer Sciencengage in dialogue with the audience by self-consciously foregrounding their immigrant identities. The Nouveau Théâtre Italien chose several creative ways to do so, including theatrical prologues and metatheatrical plays which addressed the actors’ feelings of foreignness, alienation, and cultural es
压倒
发表于 2025-3-22 13:31:56
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渗入
发表于 2025-3-22 20:07:53
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mutineer
发表于 2025-3-22 23:58:19
Algorithm Analysis and Algorithm Schematat of cultural capital: how a nationally correlated form, like improvisation, can be strategically employed by migrant performers to make themselves more valuable to the host audience. Even though Riccoboni tried to move away from ., he saw its potential to appeal to the French and chose to leverage
严重伤害
发表于 2025-3-23 04:39:45
Deductive Inference in Automatic Programminge tragedies at the Comédie-Française and the operas of the Académie Royale de Musique. Even though, on the surface, these parodies look to be a derisive and divisive critique of the host nation, a close look at the theoretical defenses provided by Riccoboni and his collaborators reveals that the Nou
FLAT
发表于 2025-3-23 06:09:17
Deductive Inference in Automatic Programmingenure. These include the troupe of ., or comic actors, who sparked the famous “Querelle des Bouffons;” the Venetian reformer of commedia, Carlo Goldoni; and the impressive . of the nineteenth century. The epilogue also considers the broader theoretical principles of this book using social anthropolo