无可争辩 发表于 2025-3-26 23:32:12

Introduction,nce, and comedy. Finally, the chapter outlines what may be revealed by comparing Riccoboni to other migrant comedians across time. Ultimately, the introduction characterizes Riccoboni and his actors as cultural ambassadors, ones who used comedy to address notions of national identity and cultural difference on stage.

Gorilla 发表于 2025-3-27 02:55:38

The Italian Brand on the French Stage,ns concerning the Italian theatre at the time. Through a series of comparisons to transnational theatre companies throughout time, McMahan also considers the politics of representation and how the work of the Nouveau Théâtre Italien in Paris impacted the reputation of the Italian nation abroad.

粗糙 发表于 2025-3-27 06:10:07

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KEGEL 发表于 2025-3-27 10:08:33

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蚊帐 发表于 2025-3-27 15:48:14

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GIBE 发表于 2025-3-27 18:22:16

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审问,审讯 发表于 2025-3-27 23:33:35

Algorithm Analysis and Algorithm Schematahe French and Italian languages, while illustrating a desire for the Italian actors to translate themselves on behalf of their audience. The chapter ultimately theorizes the relationship between comedy, macaronics, and translation.

ADAGE 发表于 2025-3-28 03:08:40

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Feigned 发表于 2025-3-28 08:58:32

Algorithm Analysis and Algorithm SchemataFrench fascination with it to prompt a transnational discussion on acting. Consequently, this chapter compares and contrasts writings from the time period on French acting techniques, such as déclamation, with those on Italian improvisation.

六边形 发表于 2025-3-28 14:22:58

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查看完整版本: Titlebook: Border-Crossing and Comedy at the Théâtre Italien, 1716–1723; Matthew J. McMahan Book 2021 The Editor(s) (if applicable) and The Author(s)