口语
发表于 2025-3-21 18:07:36
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头脑冷静
发表于 2025-3-21 20:45:49
Rechnergesteuertes Simulationssystem,nd . (2003). Myopically acknowledged only as a change in the linguistic character of Bollywood, as manifested in its portmanteau name ‘Hinglish’, this transfiguration was often considered lusterless and sans consequences, or another addition to the long list of names representing a blend of English and Hindi:
Oratory
发表于 2025-3-22 01:42:08
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Onerous
发表于 2025-3-22 06:41:03
https://doi.org/10.1057/9781137426505Bollywood; Hindi popular cinema; Self; Other; Alternative cinema; Diaspora; Vamps; Marginal sexualities; Gen
厌倦吗你
发表于 2025-3-22 12:14:29
Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
颂扬国家
发表于 2025-3-22 13:53:58
https://doi.org/10.1007/978-3-658-22974-0 Nishan I. . Nishan I, . Nishan I. Nishan I .
PALMY
发表于 2025-3-22 17:54:07
Death Becomes Her: Bombay Cinema, Nation and Kashmir Nishan I. . Nishan I, . Nishan I. Nishan I .
好忠告人
发表于 2025-3-23 01:14:55
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承认
发表于 2025-3-23 05:16:34
Innere lichtelektrische Wirkung in Gasen,sons differ considerably on its usage. Bollywood refers to the globalized cinema and media cultures of the industry located in Bombay (now Mumbai), and it is associated with the economic l iberalization of the 1990s and some subsequent corollaries. Bombay cinema in the pre-liberalization era is refe
笨重
发表于 2025-3-23 08:33:30
Lichtelektrische Zellen und ihre Anwendungealities of cinema as a whole. My primary concern with this book—and my argument in it—is topical: the concept of an ever-permeating ‘other’, cinema or otherwise, moderates my occasional dabbling with continental philosophy, and the current anthology deals with otherization as a central theme. I am