好开玩笑 发表于 2025-3-25 07:11:44

http://reply.papertrans.cn/19/1896/189566/189566_21.png

Engaging 发表于 2025-3-25 11:27:10

http://reply.papertrans.cn/19/1896/189566/189566_22.png

Tailor 发表于 2025-3-25 14:06:14

http://reply.papertrans.cn/19/1896/189566/189566_23.png

Ornament 发表于 2025-3-25 19:27:55

http://reply.papertrans.cn/19/1896/189566/189566_24.png

吞没 发表于 2025-3-25 22:39:55

The Development of Bilingual Literacy Skillsprogression from (1) positing the problematics of lesbian desire and heterosexual motherhood in . to (2) exploring strategies for resisting heteronormative optics and being positioned as a passive object of the male gaze (Laura Mulvey) in . and (3) activating the viewer’s own capabilities of critica

fiction 发表于 2025-3-26 00:19:05

http://reply.papertrans.cn/19/1896/189566/189566_26.png

Anhydrous 发表于 2025-3-26 06:47:16

http://reply.papertrans.cn/19/1896/189566/189566_27.png

不出名 发表于 2025-3-26 12:32:01

http://reply.papertrans.cn/19/1896/189566/189566_28.png

OTTER 发表于 2025-3-26 14:44:24

http://reply.papertrans.cn/19/1896/189566/189566_29.png

暂停,间歇 发表于 2025-3-26 20:14:50

,Lesbian Pathology and Monstrous Maternity in Lucrecia Martel’s Salta Trilogy, sexuality via unconventional imagery and signifying practice. This includes defying classical Hollywood conventions, acoustic effects that disorient the viewer, and haptic/tactile emphases on characters’ minute bodily contacts and sensations. This combination of methods scaffolds the Salta Trilogy’
页: 1 2 [3] 4
查看完整版本: Titlebook: Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin; Juli A. Kroll Book 2022 The Editor(s) (if applicable) and The Author