时间等
发表于 2025-3-23 11:55:24
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craven
发表于 2025-3-23 14:21:14
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不舒服
发表于 2025-3-23 20:19:23
Topics in Language and Linguisticseminist, lesbian pornographic film disrupts heteronormative optics to present a utopian, queer vision of corporeal independence and pleasure. Re-visioning lesbian feminist spectatorship, . narrates from the margins of the margin by including not only lesbian characters but also diverse body types, d
Hemodialysis
发表于 2025-3-24 01:28:00
Reflective Practice in the Arts(Dir. Julia Solomonoff, 2009), and . (Dir. Patricia Ortega, 2018). The first three films use narratives of childhood to destabilize sex and gender binaries. . constructs liminal spaces in which gender and sexual dichotomies are loosened and new paradigms emerge. . reveals the harmful effects of stri
Deference
发表于 2025-3-24 06:00:52
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GRILL
发表于 2025-3-24 10:19:09
Reflective Practice in the Artsroles. The Chilean film . (Dir. Sebastián Lelio, 2017) and the Brazilian documentary . (Dir. Claudia Priscilla and Kiko Goifman, 2018) use embodiment of the subject for progressive sociopolitical advocacy along lines of sex, gender, race, and ethnicity. Starring trans actress Daniela Vega, . pushes
偏见
发表于 2025-3-24 14:20:44
2662-9364 he establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018)..978-3-030-84560-5978-3-030-84558-2Series ISSN 2662-9364 Series E-ISSN 2662-9372
某人
发表于 2025-3-24 16:54:22
Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin
LIKEN
发表于 2025-3-24 22:16:24
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grudging
发表于 2025-3-25 02:25:16
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