行业
发表于 2025-3-25 05:32:23
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冲突
发表于 2025-3-25 11:03:18
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Duodenitis
发表于 2025-3-25 15:31:54
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bromide
发表于 2025-3-25 16:16:43
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血统
发表于 2025-3-25 19:57:50
Palgrave Studies in Screen Industries and Performancehttp://image.papertrans.cn/b/image/189172.jpg
等级的上升
发表于 2025-3-26 01:42:49
,Rééducation des prothèses totales du genou, blockbuster films. Formal strategies of blockbusters—for example, green screens, kinetic action, rapid-fire editing—are thought to result in “artificial” or “cartoonish” performances, but here the author counters that the acting in influential big-budget films is better and more appropriate than it
ironic
发表于 2025-3-26 04:58:59
https://doi.org/10.1007/2-287-33001-1 of the initial blockbuster cycle (of the 1950s and 1960s) because of what were often considered “ham-fisted,” “declamatory,” “histrionic,” or simply “bad” performances. Prompted by Vivian Sobchack’s famous essay about “surge and splendor” in the historical epic, Smith-Rowsey asks if audiences want
Minuet
发表于 2025-3-26 12:12:39
https://doi.org/10.1007/2-287-33001-1this change was led by strong, believable performances. Smith-Rowsey explains how the excellent acting in the first three live-action . films both elaborated those films’ themes and, along with the initial films of WB’s . franchise, transformed possibilities for blockbusters. In response, Disney mou
环形
发表于 2025-3-26 15:38:53
https://doi.org/10.1007/2-287-33001-1nt superhero films . (2008) and . (2008). The author’s argument builds upon the timeline established in Chaps. . and ., whereby so-called “character acting” in lead performances in blockbusters became steadily more desirable than “star acting,” situating . and . as culminations and accelerations of
征服
发表于 2025-3-26 20:48:10
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